Door Time: 7:00 PM
Showtime: 7:30 PM
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Peter Bradley Adams introduced himself as a member of Eastmountainsouth, the duo he put together with fellow songwriter and vocalist Kat Maslich-Bode. The demos the duo made, produced by Adams, blended pop and folk with subtle electronic touches, making it a pioneering effort in the realm of folktronica with a satisfying blend of ancient folklore and modern technology. Robbie Robertson (of The Band) signed Eastmountainsouth to DreamWorks, but a major label shake up led to the band’s demise.
Adams launched his solo career with Gather Up (2006), a brooding, autumnal album recorded in his apartment. Its hushed melancholy won rave reviews and led to Leavetaking (2008), an understated folk rock album that featured the hit “The Longer I Run”, followed by Traces (2009), and Between Us (2011), collectively selling over 275,000 single downloads. Adams continues his introspective explorations of the middle ground between hope and heartache on The Mighty Storm.
To make this album, Adams put together a team of like-minded producer/musicians including Lex Price (Mindy Smith, k.d. lang), Joshua Grange (k. d. lang, Sheryl Crow), Joe McMahan (Luella and the Sun), and Ian Fitchuk. “We sat down and worked together, everyone contributing to the playing, arrangements and production,” Adams explains. “We recorded in RCA Studio A in Nashville, the old Chet Atkins studio built in 1965. Most of the tracking was done live… we all spread out in the same room, so you can really hear the sound of that space on the record.”
Like Adams’ other albums, The Mighty Storm is marked by strong melodies, the band’s understated, but muscular playing and the calm emotional intensity of his singing. “Hey Believers” is an anti-spiritual that blends hushed acoustic guitar and long sustained notes from a churchy organ to deliver a message that’s equal parts faith and desperation. Joshua Grange’s crying pedal steel and Joe McMahan’s reverb drenched guitar add a soft mournful quality to “She Has to Come Down,” the story of a young woman slipping into a self-destructive vortex. The song was inspired by the Jack Kerouac novella, ‘Tristessa” and also appears on a recent compilation called “Esperanza”. Piano, guitar and pedal steel augment the poignant melody of “Around Us.” The lyrics are the album’s most positive, but Adams’ whispered, aching vocals provide a dramatic contrast, implying the loneliness that often resides in the heart of an enraptured lover. The songs on The Mighty Storm may have a placid surface, but the soothing melodies and Adams’ low-key delivery run deep to portray the joys and insecurities of the human condition with a rare compassionate insight.
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