Chautauqua Member Pre-Sale: Wednesday, April 17 at 10:00 AM
Artist Pre-Sale: Wednesday, April 17 at 12:00 PM
Z2 / KBCO Pre-Sale: Thursday, April 18 at 10:00 AM
Public On-Sale: Friday, April 19 at 10:00 AM
Presented by KBCO
Door time: 6:30
Show time: 7:30
“Funky, cool and bad,” is how Robert Cray describes his latest album, That’s What I Heard. “I thought if it we could get this thing that Sam Cooke used to have, the kind of sound that early Sam Cooke records had, that we could pull this off,” says producer Steve Jordan.
Over the past five decades, Cray has created a sound that rises from American roots, blues, soul and R&B, with five Grammy wins, 20 acclaimed studio albums and a bundle of live albums that punctuate the Blues Hall of Famer’s career. On That’s What I Heard, Robert celebrates the music of Curtis Mayfield, Bobby “Blue” Bland, The Sensational Nightingales and more, alongside four newly written songs.
Cray and Jordan go way back, having met during the making of the Chuck Berry documentary Hail! Hail! Rock ’n’ Roll, in 1987. They started working together in 1999, when Jordan produced the Grammy winning Take Your Shoes Off, and the recent Grammy-nominated LP, Robert Cray & Hi Rhythm. That’s What I Heard is their sixth album. “Once you start working with Steve, it’s kind of hard to get away from him,” said Robert.
The music on That’s What I Heard falls into two camps, the sweet and the funky. Of the former, “You’re the One” comes from the Bobby “Blue” Bland songbook. “There’s this thing where I feel you kind of gotta get out of your own head when you’re covering one of your heroes,” Cray explained. “Bobby’s one of those. You just let yourself go and do the song because you love it.”
Don Gardner’s “My Baby Likes to Boogaloo” and the Billy Sha-Rae minor hit, “Do It” are acknowledged rarities (the originals can be heard on the compilation, Groove & Grind: Rare Soul). “Do It” is leaner and meaner, the sort of bare-bones funk that defined the Detroit club sound in the early ’70s with Sha-Rae, Dennis Coffey, and Earl Van Dyke. Cray’s steamroller rendition gets a little extra push from guest guitarist Ray Parker, Jr., who played in Sha-Rae’s band as a teen.
“Burying Ground” is a sacred song from the Sensational Nightingales, inspired by Cray’s youth, when Sundays on the stereo were reserved for his parents’ gospel records. Curtis Mayfield wrote “You’ll Want Me Back” for Major Lance, and Cray wrote “To Be with You” for his late friend, Tony Joe White. “Hot” is another Cray original. “As for the lyrics, “We always say to ourselves, ‘I’m old, but I’m hot,’” he said, and laughed. Spotted hanging around the studio, Steve Perry sang harmony vocals on “Promises You Can’t Keep,” written by Steve Jordan, Kim Wilson and Danny Kortchmar.
“Robert is just a great person besides being extraordinary talent,” adds Jordan. “People gravitate to his guitar playing first, but I think he’s one of the best singers I’ve heard in my life. Not only because of his singing ability, but his interpretations. He’s such an honest soul in my opinion.”
Legendary artist Graham Nash, as a founding member of both the Hollies and Crosby, Stills and Nash, is a two-time Rock and Roll Hall of Fame inductee who has seen rock history unfold at some of its seminal moments – from the launch of the British Invasion (that’s him on-screen in 1967, eyewitness to the Beatles global broadcast performance of “All You Need Is Love” from Abbey Road studios) to the birth of the Laurel Canyon movement a year later. An extraordinary Grammy Award® winning renaissance artist – and self-described “simple man” – Nash was inducted twice into the Songwriters Hall of Fame, for his work with CSN and his work as a solo artist, beginning with two landmark albums, Songs For Beginners and Wild Tales.
Towering above virtually everything that Graham Nash has accomplished in his long and multi-faceted career, stands the litany of songs that he has written and introduced to the soundtrack of our lives for nearly six decades. Nash’s remarkable body of work began with his contributions to the Hollies opus from 1964 to ’68, including “Stop Stop Stop,” “On A Carousel,” “Carrie Anne,” “King Midas In Reverse,” and “Jennifer Eccles,” and continues all the way to Now (2023), his most recent solo album.
The original classic union of Crosby, Stills & Nash (& Young) lasted but twenty months. Yet their songs are lightning rods embedded in our DNA, starting with Nash’s “Marrakesh Express,” “Pre-Road Downs” and “Lady Of the Island,” from the first Crosby, Stills & Nash LP (1969). On CSNY’s Déjà Vu (1970), Nash’s iconic “Teach Your Children” and “Our House” (for Joni Mitchell) beseeched us to hold love tightly, to fend off the madness that was on its way.
Nash’s career as a solo artist took flight in 1971, with the two aforementioned albums further showcasing the depths of his abilities as a singer and songwriter: his solo debut Songs For Beginners (with “Chicago/We Can Change the World” and “Military Madness”), and Wild Tales released in 1974 (with “Prison Song,” “Oh! Camil,” and “You’ll Never Be the Same”).
The most resilient, long-lived and productive partnership to emerge from the CSNY camp was launched (before Nash’s Wild Tales) with the eponymously titled Graham Nash/David Crosby (1972), bookended by Nash’s “Southbound Train” as the opening track and “Immigration Man” as the closer. The duo contributed further to the soundtrack of the ’70s on their back-to-back Lps, Wind On the Water (1975) and Whistling Down the Wire (1976).
Nash’s passionate voice continues to be heard in support of peace, and social and environmental justice. The No Nukes/Musicians United for Safe Energy (MUSE) concerts he organized with Jackson Browne and Bonnie Raitt in 1979 remain seminal benefit events.
In September 2013, Nash released his long-awaited autobiography Wild Tales, which landed him on the New York Times Best Sellers list. In recognition for his contributions as a musician and philanthropist, Nash was appointed an Officer of the Order of the British Empire (OBE) by Queen Elizabeth. While continually building his musical legacy, Nash is also an internationally renowned photographer and visual artist whose work has been shown in galleries and museums worldwide. A collection of his photos is featured in the book A Life in Focus: The Photography of Graham Nash which was released in November 2021 by Insight Editions.
VIP Packages Available! Click “Get Tickets” to learn more.
Our third Difficult Dialogue Conversation takes up the topic of how to have difficult conversations with people you care about but may disagree with. Our facilitators, Jennifer Ho and Ami Dayan, believe it is possible to have productive conversations about controversial subjects, so long as all parties enter into the conversation with a sincere willingness to listen and learn rather than simply argue in order to persuade someone to their point of view. Join us on March 27 (Wed, 6-7pm) to practice having hard conversations, including on the topic of Gaza and Israel.
The Center for Humanities & the Arts (CHA) mission is to promote arts and humanities by being a dynamic hub on the CU Boulder campus and by creating connections within the Boulder community.
Our purpose is to hold dialogues on topics considered difficult, provocative, or controversial, among constituents that may have strong conflicting views.
Our objective is NOT to necessarily agree, fix anything, prove anyone right or wrong, or alter anyone’s position.
We are committed to fostering productive dialogues in the hopes that minds and hearts might expand. We ask that you
Keep an open mind
Be respectful of others
Listen with the intent to understand
Speak your own truth
We expect to experience discomfort when talking about hard things. Remain engaged and recognize that the discomfort can lead to problem-solving and authentic understanding.
Our co-facilitators for this evening will include:
The daughter of a refugee father from China and an immigrant mother from Jamaica, whose own parents were immigrants from Hong Kong, Jennifer Ho is the director of the Center for the Humanities & the Arts at the University of Colorado Boulder, where she also holds an appointment as Professor in the Ethnic Studies department. She is the past president of the Association for Asian American Studies (2020-2022) and sits on the board of directors for the Consortium for Humanities Centers and Institutes (CHCI), the National Committee on US-China Relations, and Kundiman (an Asian American literature non-profit). Ho has co-edited two collection of essays, Narrative, Race, and Ethnicity in the United States (Ohio State University Press 2017) and Teaching Approaches to Asian North American Literature(Modern Language Association 2022), and she is the author of three scholarly monographs, Consumption and Identity in Asian American Coming-of-Age Novels (Routledge 2005), Racial Ambiguity in Asian American Culture (Rutgers University Press 2015), which won the South Atlantic Modern Language Association award for best monograph, and Understanding Gish Jen (University of South Carolina Press 2015). She has published in journals such as Modern Fiction Studies, Journal for Asian American Studies, Amerasia Journal, The Global South, Southern Cultures, Japan Forum, and Oxford American. Her next two academic projects are a breast cancer memoir and a monograph that will consider Asian Americans in the global south through the narrative of her maternal family’s immigration from Hong Kong to Jamaica to North America. In addition to her academic work, Ho is active in community engagement around issues of race and intersectionality, leading workshops on anti-racism and how to talk about race in our current political climate.
Ami Dayan is an award winning Israeli/American playwright, director, and performer. He studied and worked professionally in Europe, Israel and extensively in the United States. He serves on the board of the Jaipur Literature Festival in Boulder, and is founder of The Interview Game Inc., a Boulder based company with a mission of bridging the intergenerational gap, and bringing people closer with curated reciprocal interviews.
This is a free event. Click “Get Tickets” to RSVP.
Located in the Rocky Mountain Climbers Club, on the lower level of the Community House.
Over a year after Andrew Marlin and Emily Frantz of Watchhouse (formerly known as Mandolin Orange) reintroduced themselves on their 2021 self-titled LP, the pair shared a special surprise release: Watchhouse (Duo), a self-produced recording of Marlin and Frantz performing the most elemental possible arrangements of all nine songs from Watchhouse. It’s a project that captures the fundamental power of Watchhouse: Two singers and musicians with profound chemistry, performing earnest yet masterfully crafted songs that encompass the unknowable mysteries, existential heartbreak, and communal joys of modern life.
Starting over a decade ago playing coffee shops and local restaurants around North Carolina, Watchhouse is a grassroots success story that’s been driven by Marlin’s poignant songwriting. They’ve sold out iconic venues (Red Rocks, Ryman Auditorium) and attract hundreds of millions of streams while producing exploratory music that “redefines roots music for a younger generation” (Washington Post).
2022 was filled with many endeavors including the American Acoustic Tour with Punch Brothers, headlining shows across the US, collaborating with Planet Bluegrass on Mabon, an autumn equinox concert series, and of course Watchhouse (Duo). In 2023, Marlin and Frantz will celebrate the release of Watchhouse (Duo) with a short run of shows that will feature just the two of them, harkening back to their earliest days of performing.
