Thursday, August 13
Showtime: 8:00 PM
$30.00 - $55.00 ($27.00 - $52.00 Concert Member)
Known as the lead singer, violinist, banjo player and founding member of the Grammy-winning country, blues and old-time music group Carolina Chocolate Drops, Giddens recently released her debut solo album, “Tomorrow Is My Turn” (February 2015). Produced by T-Bone Burnett, the album includes songs made famous by Patsy Cline, Odetta, Dolly Parton, and Nina Simone, among others.
It was toward the end of the September 2013 “Another Day, Another Time: Celebrating the Music of ‘Inside Llewyn Davis’” concert at New York City’s Town Hall, curated by T Bone Burnett, when Giddens indisputably stole the show. Singing Odetta’s “Water Boy” with, as the New York Times put it, “the fervor of a spiritual, the yips of a folk holler, and the sultry insinuation of the blues,” Giddens brought the star-studded audience to its feet. Many critics have stated that Giddens had the best performance at what was called “the concert of the year.”
On her solo debut “Tomorrow Is My Turn,” Giddens and Burnett revisit “Water Boy,” its Odetta-arranged work-song rhythm serving as both provocation and a statement of power. Giddens delivers an equally thunderous rendition, one made all the more striking when placed between a gentle, ruminative interpretation of Dolly Parton’s “Don’t Let It Trouble Your Mind” and a version of Hank Cochran’s “She’s Got You,” popularized by Patsy Cline, that Giddens imbues with “an old-timey R&B vibe,” supported by Carolina Chocolate Drops band-mate Hubby Jenkins. The breadth of musical vision on “Tomorrow Is My Turn” fulfills the promise of that brief but stunning star turn at Town Hall. The album incorporates gospel, jazz, blues, and country, plus a hint of proto-rock and roll, and Giddens displays an emotional range to match her dazzling vocal prowess throughout.
The life that Giddens explores at the climax of “Tomorrow Is My Turn” is her own creative one, on the lilting, self-penned ballad “Angel City.” Though she regards herself far more as singer than songwriter, “Angel City,” composed in the course of a single night during the recording of the Burnett-helmed “The New Basement Tapes” project, fits perfectly at the close of the set, gently paying homage to the elder artists whose work comprise the rest of the album.
“It was these women, these artists, who had helped me, who had come with me on this journey, and here are lyrics that represented that,” says Giddens.
“Tomorrow Is My Turn” was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown’s renowned Funk Brothers; inventive drummer and Burnett stalwart Jay Bellerose; veteran folk-blues guitarist Colin Linden; legendary backup singer Tata Vega; and Nashville session great, bassist Dennis Crouch.
Giddens enthuses, “We had Dennis and Paul on stand-up bass at the same time on some of these tracks. They are all ‘musicians’ musicians’ and they did cool stuff they don’t always get the opportunity to play. It was a bit of a challenge for them too, all these different kinds of music; every day was something new. We’d start the day by watching the original inspiration for the song on YouTube, and then we would go cut it. They were a diverse group of people, but it felt like a real band.”
The songs here, says Giddens, “are all facets of the human condition.” Taken together, they answer the question Twyla Tharp posed at the beginning of Giddens’ solo adventure. “Tomorrow Is My Turn” is a composite portrait of “Ruby,” of America, and of Giddens herself, whose turn is clearly right now.